James Hong signs the cement containing his handprints and footprints.

Its about real-life issues – its about politics and war.We were constantly checking monitors.

said the new series did not have the advantage of novelty that most things Japanese enjoyed in the early 1980s.Producer Eriko Miyagawa said undertaking the project was a daunting task.what it accomplished and what it has meant to people around the world.

Part of re-creating 1600 Japan even involved removing plants such as ferns.Sawai said she hopes the shows sense of humanity will be the key to drawing a large audience.

Hiroyuki Sanada and producer Eriko Miyagawa take part in the Shōgun press event earlier this month.

The expected order of events is turned upside-down when a wayward ship with its starving European crew crashes into the shore on the Izu PeninsulaEveryone shouted “Kampai!” as they drank a toast.

which since the 1960s has enabled students from U.for masters or doctoral degrees.

were held in Little Tokyo prior to the pandemic.novelist Haruki Murakami and film director Hirokazu Koreeda.